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90년대한국사회를뒤흔든그러나지금은잊혀진지존파사건을되짚으면서우리사회를들여보게하는영화.지존파에서출발해성수대교붕괴,삼풍백화점붕괴,5.18주모자처벌문제등으로유연하게흘러가는영화는픽션보다더픽션같은논픽션이야기를품은한국사회를‘기록’한다. WhathaenedinKoreansocietyinthe1990s?ThefilmstartswiththeJijon-a(SuremeGangsters)case.Theshockingstoryisnarratedthroughthediscussionbythetwodetectiveswhoarrestedthegangsters,ofdetailsoftheroundu,datascreens,andthedeathsentence.Nevertheless,NonfictionDiary’sfocusisnotonthecrimestory.StartingfromJijon-aonwards,thefilmreflectsonthe1990s,whenKoreadigressedintocontemoraryhistory.TheSeongsuBridgeandtheSamoongDeartmentStore’scollasesarerecalled,followedbythethen-government’sunishmentoftheMay18Urisingleaders,revealingtheKoreanlegalsystem’sdeathenaltystatus,touchingonoliticalandowerissues.Theaudienceisremindedthattoday,2013,isanextensionofthatsameflow.DirectorJungYoonsuk’sNon-fictionDiary“records”therecordsbysummoningforgottenincidents,utilizinginterviewsandthemedia’sdatascreens.Thisrecordisa“reort”oncontemorarysocietyaswellasa“recordoftheremembrance”.(HONGHyosook) 18thBusanInternationalFilmFestivalDocumentaryCometition
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