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The visual style is audacious. There are tracking shots throughout, panning across details, pulling back for long shots, following people through crowds, etc. The opening farewell party sequence has many flash-pans, from one room to another (taken from the connecting hall), from one face to another, from one action to another. When Simon s girl sneaks into the barracks to say goodnight, the utter pandemonium is filmed with a rolling, tossing hand-held camera right in the center of the action, and lots of quick cutting that creates a sense of confusion, although it s almost always clear exactly what s happening. But when troops on maneuvers are fumbling about blindly because they have on gas-masks, they re filmed with stationary long-shots that are held for a long time, allowing nothing to distract from their antics.
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